Matilda Sissieretta Joyner Jones (January 5, 1868 or 1869 was an American soprano. She sometimes was called “The Black Patti” in reference to Italian opera singer Adelina Patti. Jones’ repertoire included grand opera, light opera, and popular music. Trained at the Providence Academy of Music and the New England Conservatory of Music, Jones made her New York debut in 1888 at Steinway Hall, and four years later she performed at the White House for President Benjamin Harrison. She sang for four consecutive presidents and the British royal family, and was met with international success. Besides the United States and the West Indies, Jones toured in South America, Australia, India, southern Africa, and Europe.

The highest-paid African-American performer of her time, later in her career she founded the Black Patti Troubadours (later renamed the Black Patti Musical Comedy Company), a musical and acrobatic act made up of 40 jugglers, comedians, dancers and a chorus of 40 trained singers.^[2] She remained the star of the Famous Troubadours for around two decades while they established their popularity in the principal cities of the United States and Canada, Jones retired from performing in 1915. In 2013, she was inducted into the Rhode Island Music Hall of Fame.

Matilda Sissieretta Joyner was born on January 5, 1869, in a house on Bart. She was the oldest of three children, although her siblings died when they were young. Matilda Joyner was nicknamed as Sissy or Tilly by her family and friends, and began singing around the house at a young age. When she was six years old, her family moved to Providence, Rhode Island, where she began singing at an early age in her father’s Pond Street Baptist Church. She attended Meeting Street and Thayer Schools. In 1883, Joyner began the formal study of music at the Providence Academy of Music. She studied with Ada Baroness Lacombe. In the late 1880s, Jones was accepted at the New England Conservatory of Music in Boston, studying under Flora Batson of the Bergen Star Company. She also studied at the Boston Conservatory. Street in Portsmouth, Virginia.

On October 29, 1885, Jones gave a solo performance in Providence as an opening act to a production of Richard III staged by John A. Arneaux’s theatre troupe. In 1887, she performed at Boston’s Music Hall before an audience of 5,000. Jones made her New York debut on April 5, 1888, at Steinway Hall. During a performance at Wallack’s Theater in New York, Jones came to the attention of Adelina Patti’s manager, who recommended that Jones tour the West Indies with the Fisk Jubilee Singers. Jones made successful tours of the Caribbean in 1888 and 1892. Around this time one critic at the theatrical journal the New York Clipper dubbed her “the Black Patti” after Adelina Patti, an epithet that Jones disliked, preferring Madame Jones. She later told a reporter that the name “rather annoys me… I am afraid people will think I consider myself the equal to Patti herself. I assure you I don’t think so, but I have a voice and I am striving to win the favor of the public by honest merit and hard work.”

In February 1892, Jones performed at the White House for President Benjamin Harrison. She also sang for four consecutive presidents — Harrison, Grover Cleveland, William McKinley, and Theodore Roosevelt — and the British royal family. For three of her White House performances, Jones had to enter the building through the back. She was finally allowed to enter through the front door for the Roosevelt performance.

https://en.wikipedia.org/wiki/Sissieretta_Jones

This piece is a little more complicated and still needs work. But I wanted to celebrate the accomplishments of Jones life.

Matilda Sissieretta Joyner Jones (January 5, 1868 or 1869 was an American soprano. She sometimes was called “The Black Patti” in reference to Italian opera singer Adelina Patti. Jones’ repertoire included grand opera, light opera, and popular music. Trained at the Providence Academy of Music and the New England Conservatory of Music, Jones made her New York debut in 1888 at Steinway Hall, and four years later she performed at the White House for President Benjamin Harrison. She sang for four consecutive presidents and the British royal family, and was met with international success. Besides the United States and the West Indies, Jones toured in South America, Australia, India, southern Africa, and Europe.

The highest-paid African-American performer of her time, later in her career she founded the Black Patti Troubadours (later renamed the Black Patti Musical Comedy Company), a musical and acrobatic act made up of 40 jugglers, comedians, dancers and a chorus of 40 trained singers.^[2] She remained the star of the Famous Troubadours for around two decades while they established their popularity in the principal cities of the United States and Canada, Jones retired from performing in 1915. In 2013, she was inducted into the Rhode Island Music Hall of Fame.

Matilda Sissieretta Joyner was born on January 5, 1869, in a house on Bart. She was the oldest of three children, although her siblings died when they were young. Matilda Joyner was nicknamed as Sissy or Tilly by her family and friends, and began singing around the house at a young age. When she was six years old, her family moved to Providence, Rhode Island, where she began singing at an early age in her father’s Pond Street Baptist Church. She attended Meeting Street and Thayer Schools. In 1883, Joyner began the formal study of music at the Providence Academy of Music. She studied with Ada Baroness Lacombe. In the late 1880s, Jones was accepted at the New England Conservatory of Music in Boston, studying under Flora Batson of the Bergen Star Company. She also studied at the Boston Conservatory. Street in Portsmouth, Virginia.

On October 29, 1885, Jones gave a solo performance in Providence as an opening act to a production of Richard III staged by John A. Arneaux’s theatre troupe. In 1887, she performed at Boston’s Music Hall before an audience of 5,000. Jones made her New York debut on April 5, 1888, at Steinway Hall. During a performance at Wallack’s Theater in New York, Jones came to the attention of Adelina Patti’s manager, who recommended that Jones tour the West Indies with the Fisk Jubilee Singers. Jones made successful tours of the Caribbean in 1888 and 1892. Around this time one critic at the theatrical journal the New York Clipper dubbed her “the Black Patti” after Adelina Patti, an epithet that Jones disliked, preferring Madame Jones. She later told a reporter that the name “rather annoys me… I am afraid people will think I consider myself the equal to Patti herself. I assure you I don’t think so, but I have a voice and I am striving to win the favor of the public by honest merit and hard work.”

In February 1892, Jones performed at the White House for President Benjamin Harrison. She also sang for four consecutive presidents — Harrison, Grover Cleveland, William McKinley, and Theodore Roosevelt — and the British royal family. For three of her White House performances, Jones had to enter the building through the back. She was finally allowed to enter through the front door for the Roosevelt performance.

https://en.wikipedia.org/wiki/Sissieretta_Jones