I have always said, We should tell our own stories. I believe our stories are best told by us. In this new podcasts I will tell the stories of Africans and African Americans throughout history because I believe their lives still have something to say to us. Remember the adage, if you don’t know your history, you are doomed to repeat it.
Lets get to learning some history
The first story is about Annie Turnbo Malone. From parents who had been enslaved, Annie was born in Illinois and grew up to become a woman who would change life for millions of women of African descent.
Bert Williams was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the Vaudeville era and one of the most popular comedians for all audiences of his time. He was born in the Bahamas in November of 1874.
His parents emigrated when he was 11 years old. He graduated from Riverside High School and attended Stanford with plans to become a civil engineer. He had to abandon his studies to help his family and began to work for Martin and Selig’s Mastodon Minstrels. He met George Walker who would be a lifelong friend for a dynamic comedy team.
In late 1896, the pair were added to The Gold Bug, a struggling musical. The show did not survive, but Williams & Walker got good reviews, and were able to secure higher profile bookings. They headlined the Koster and Bial’s vaudeville house for 36 weeks in 1896–97, where their spirited version of the cakewalk helped popularize the dance.
The pair performed in burnt-cork blackface, as was customary at the time, billing themselves as “Two Real Coons” to distinguish their act from the many white minstrels also performing in blackface. Williams also made his first recordings in 1896.
Williams & Walker had their greatest success with Sons of Ham, a broad farce that did not include any of the extreme “darkie” stereotypes that were then common. One of the show’s songs, “Miss Hannah from Savannah,” even touched upon class divisions within the black community.
In September 1902, Williams & Walker debuted their next show, In Dahomey, a full-length musical written, directed and performed by an all-black cast. It was an even bigger hit.
Part of the inspiration for the show was Williams’ copy of a 1670 book, Africa, in which author John Ogilby traced the history of the continent’s tribes and peoples. “With this volume, I could prove that every Pullman porter is the descendant of a king,” said Williams.
They were one of the most successful teams in their era, performing in the US and abroad, even delivering a command performance in England for King Goerge in 1903.
The two performed together until Walker was too sick to perform in 1909. He died in 1911. Williams would strike out on his own and it would change everything.
In 1910 Williams joined Flo Ziegfeld as a featured performer in an all-white show. In the beginning the some of the white performers refused to work with Williams. He also faced prejudice from the writers, which made him have to write his own material. But that turned out to be a good thing because when the show opened, he was a sensation.
Williams is credited as being the first Black man to have the leading role in a film: Darktown Jubilee in 1914. And he also signed an exclusive recording contract with Columbia Records.
Known as one of the highest paid African American performers in history, Williams worked in many productions including the Ziegfeld Follies of 1917 with WC Fields, Fannie Brice, Eddie Cantor and more. He worked for the Follies until 1919.
In 1922 during a performance of Under the Bamboo Tree, Williams collapsed on stage during a performance in Detroit, Michigan. He returned to New York and died at his home in March at the age of 47.
Also, a part of my strategy is helping others. I believe we were created to be a part of a community. I will spend time thinking about who I can help and how. Reviewing the past and thinking towards the future helps me prepare for whatever is coming.
Dancing During the Storm is a collection of stories from projects that I have written over the years. They represent a desire to praise God despite the storms in my life. As the saying goes, you are going into a storm, in the middle of a storm or coming out of a storm. All of these stories tell of people who enjoy the life that God has given them and live it to the fullest. Each character has a storm in their life which they are going into, in the midst of, or coming out of.
The first story is about the first man to ever encounter a storm and the impact on his life.
The second story is about a court case that changed the lives of three of the women involved. A Victim. A Juror. A Judge. The impact of the trial changed their thinking, yet prepared them for all that life threw at them.
The third and fourth story is a science fiction tale of the journey of a young woman who searched for peace and quiet after spending the last two years on a planet that had to resemble hell. As she emerged from the storms of her life, she saw that things were not as easy as she thought they would be.
The fifth story is another science fiction story that showed a divided world on the brink of war and two women meet to decide the fate of all the women on the planet. This meeting determined if it would either draw everyone together or increase the divide. Would it be treason or slavery?
The sixth story two bullets changed the life of a man who had cruised through life on the back of rich parents and affluence.
Enjoy these fun, thought provoking stories, and hear the underlying intent.
Bert Williams was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the Vaudeville era and one of the most popular comedians for all audiences of his time. He was born in the Bahamas in November of 1874.
His parents emigrated when he was 11 years old. He graduated from Riverside High School and attended Stanford with plans to become a civil engineer. He had to abandon his studies to help his family and began to work for Martin and Selig’s Mastodon Minstrels. He met George Walker who would be a lifelong friend for a dynamic comedy team.
In late 1896, the pair were added to The Gold Bug, a struggling musical. The show did not survive, but Williams & Walker got good reviews, and were able to secure higher profile bookings. They headlined the Koster and Bial’s vaudeville house for 36 weeks in 1896–97, where their spirited version of the cakewalk helped popularize the dance.
The pair performed in burnt-cork blackface, as was customary at the time, billing themselves as “Two Real Coons” to distinguish their act from the many white minstrels also performing in blackface. Williams also made his first recordings in 1896.
Williams & Walker had their greatest success with Sons of Ham, a broad farce that did not include any of the extreme “darkie” stereotypes that were then common. One of the show’s songs, “Miss Hannah from Savannah,” even touched upon class divisions within the black community.
In September 1902, Williams & Walker debuted their next show, In Dahomey, a full-length musical written, directed and performed by an all-black cast. It was an even bigger hit.
Part of the inspiration for the show was Williams’ copy of a 1670 book, Africa, in which author John Ogilby traced the history of the continent’s tribes and peoples. “With this volume, I could prove that every Pullman porter is the descendant of a king,” said Williams.
They were one of the most successful teams in their era, performing in the US and abroad, even delivering a command performance in England for King Goerge in 1903.
The two performed together until Walker was too sick to perform in 1909. He died in 1911. Williams would strike out on his own and it would change everything.
Williams is credited as being the first Black man to have the leading role in a film: Darktown Jubilee in 1914. Known as one of the highest paid African American performers in history, Williams worked in many productions including the Ziegfeld Follies of 1917 with WC Fields, Fannie Brice, Eddie Cantor and more. In 1922 Williams collapsed on stage during a performance in Detroit, Michigan. He returned to New York and died at his home in March at the age of 47.
It is difficult to get things done by yourself. I like partnering with others As I plan what I will do, I think about with who. I have found projects have more depth if it is a collaboration. Who will I collaborate with?
Dancing During the Storm is a collection of stories from projects that I have written over the years. They represent a desire to praise God despite the storms in my life. As the saying goes, you are going into a storm, in the middle of a storm or coming out of a storm. All of these stories tell of people who enjoy the life that God has given them and live it to the fullest. Each character has a storm in their life which they are going into, in the midst of, or coming out of.
The first story is about the first man to ever encounter a storm and the impact on his life.
The second story is about a court case that changed the lives of three of the women involved. A Victim. A Juror. A Judge. The impact of the trial changed their thinking, yet prepared them for all that life threw at them.
The third and fourth story is a science fiction tale of the journey of a young woman who searched for peace and quiet after spending the last two years on a planet that had to resemble hell. As she emerged from the storms of her life, she saw that things were not as easy as she thought they would be.
The fifth story is another science fiction story that showed a divided world on the brink of war and two women meet to decide the fate of all the women on the planet. This meeting determined if it would either draw everyone together or increase the divide. Would it be treason or slavery?
The sixth story two bullets changed the life of a man who had cruised through life on the back of rich parents and affluence.
Enjoy these fun, thought provoking stories, and hear the underlying intent.
Bert Williams was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the Vaudeville era and one of the most popular comedians for all audiences of his time. He was born in the Bahamas in November of 1874.
His parents emigrated when he was 11 years old. He graduated from Riverside High School and attended Stanford with plans to become a civil engineer. He had to abandon his studies to help his family and began to work for Martin and Selig’s Mastodon Minstrels. He met George Walker who would be a lifelong friend for a dynamic comedy team. They were one of the most successful teams in their era, performing in the US and abroad, even delivering a command performance in England for King Goerge in 1903.
The two performed together until Walker was too sick to perform in 1909. He died in 1911. Williams would strike out on his own and it would change everything.
Williams is credited as being the first Black man to have the leading role in a film: Darktown Jubilee in 1914. Known as one of the highest paid African American performers in history, Williams worked in many productions including the Ziegfeld Follies of 1917 with WC Fields, Fannie Brice, Eddie Cantor and more. In 1922 Williams collapsed on stage during a performance in Detroit, Michigan. He returned to New York and died at his home in March at the age of 47.
This portrait was drawn by brother, Devin Anderson
I took the opportunity to revisit goals from five years ago. It was a good moment to see where I have been and what I have accomplished. I have had wild goals, but over the years I have honed them. Where I was once, all over the place going in different directions, I am now focused. It reminds me to stay focused.
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