Art of the Month

Nannie Helen Burroughs meets us at the intersection of gender, race, and profession. She was an educator, civil rights activists, feminist, and businesswoman.

Burroughs was born May 2, 1879, in Orange Virginia.  Her parents were formerly slaves, and her father was a farmer and Baptist preacher.  Her father died when she was young, so Burroughs and her mother moved to Washing DC.

She attended high school in DC where she met Anna Julia Cooper and Mary Church Terrell, who were suffragists and civil rights activists.

After graduation she applied for a job with the District but could not get one because her skin was too dark. This set in her the determination to ensure women of her skin tone could improve their situation.

From 1898 to 1909 Burroughs went to work for the National Baptist Convention in Kentucky. She was one of the founders of the Women’s Convention and served as president for 13 years. She also found the National Training School in 1908 that provided evening classes for women who had no other means of education.

In 1908 she opened the National Training School. Her goal was to uplift the race.  The main themes of the school was the three B’s: the Bible, the bath, and the broom.

In 1920 she wrote two plays, one The Slabtown District Convention and Where is My Wandering Boy Tonight?

In 1928, Burroughs was appointed committee chairwoman by the Hoover Administration  for the White House Conference 1931 Home Building and Ownership. She also spoke at conferences.

She died in May of 1961

Art of the Month

African American women are a force of strength and resilience, leaving an indelible mark on the world throughout history. Despite the many challenges designed to hold us back, we have never been defeated. When laws were created to suppress our hair, we responded with creativity—crafting headscarves that became timeless symbols of style and strength. We turned our hair into art, weaving stories and even maps into our styles.

Trailblazers like fashion designer Zelda Wynn Valdes broke barriers, opening her own fashion house and designing the iconic Playboy Bunny costume—making history with every stitch.

We’ve always known that Black is beautiful. That truth gained widespread recognition during the 1950s and 60s, when a movement arose to celebrate the natural beauty of African American women. It was a time of bold defiance against societal norms. Instead of conforming by straightening their hair, women embraced their roots—literally—with full, glorious afros.

We’ve turned something as simple as a look into a statement, a culture, a way of life.

With chapgpt

Art of the Month

Women’s History

African American women are a force of strength and resilience, leaving an indelible mark on the world throughout history. Despite the many challenges designed to hold us back, we have never been defeated. When laws were created to suppress our hair, we responded with creativity—crafting headscarves that became timeless symbols of style and strength. We turned our hair into art, weaving stories and even maps into our styles.

Trailblazers like fashion designer Zelda Wynn Valdes broke barriers, opening her own fashion house and designing the iconic Playboy Bunny costume—making history with every stitch.

We’ve always known that Black is beautiful. That truth gained widespread recognition during the 1950s and 60s, when a movement arose to celebrate the natural beauty of African American women. It was a time of bold defiance against societal norms. Instead of conforming by straightening their hair, women embraced their roots—literally—with full, glorious afros.

We’ve turned something as simple as a look into a statement, a culture, a way of life.

With chapgpt

Art of the Month

African American women are a force of strength and resilience, leaving an indelible mark on the world throughout history. Despite the many challenges designed to hold us back, we have never been defeated. When laws were created to suppress our hair, we responded with creativity—crafting headscarves that became timeless symbols of style and strength. We turned our hair into art, weaving stories and even maps into our styles.

Trailblazers like fashion designer Zelda Wynn Valdes broke barriers, opening her own fashion house and designing the iconic Playboy Bunny costume—making history with every stitch.

We’ve always known that Black is beautiful. That truth gained widespread recognition during the 1950s and 60s, when a movement arose to celebrate the natural beauty of African American women. It was a time of bold defiance against societal norms. Instead of conforming by straightening their hair, women embraced their roots—literally—with full, glorious afros.

We’ve turned something as simple as a look into a statement, a culture, a way of life.

With chapgpt

Art of the Month

African American women are a force of strength and resilience, leaving an indelible mark on the world throughout history. Despite the many challenges designed to hold us back, we have never been defeated. When laws were created to suppress our hair, we responded with creativity—crafting headscarves that became timeless symbols of style and strength. We turned our hair into art, weaving stories and even maps into our styles.

Trailblazers like fashion designer Zelda Wynn Valdes broke barriers, opening her own fashion house and designing the iconic Playboy Bunny costume—making history with every stitch.

We’ve always known that Black is beautiful. That truth gained widespread recognition during the 1950s and 60s, when a movement arose to celebrate the natural beauty of African American women. It was a time of bold defiance against societal norms. Instead of conforming by straightening their hair, women embraced their roots—literally—with full, glorious afros.

We’ve turned something as simple as a look into a statement, a culture, a way of life.

With chapgpt

Art of the Month

African American women are a force of strength and resilience, leaving an indelible mark on the world throughout history. Despite the many challenges designed to hold us back, we have never been defeated. When laws were created to suppress our hair, we responded with creativity—crafting headscarves that became timeless symbols of style and strength. We turned our hair into art, weaving stories and even maps into our styles.

Trailblazers like fashion designer Zelda Wynn Valdes broke barriers, opening her own fashion house and designing the iconic Playboy Bunny costume—making history with every stitch.

We’ve always known that Black is beautiful. That truth gained widespread recognition during the 1950s and 60s, when a movement arose to celebrate the natural beauty of African American women. It was a time of bold defiance against societal norms. Instead of conforming by straightening their hair, women embraced their roots—literally—with full, glorious afros.

We’ve turned something as simple as a look into a statement, a culture, a way of life.

Art of the Month

Josephine Baker

Josephine Baker (3 June 1906 – 12 April 1975) was an American-born French dancer, singer and actress. Her career was centered primarily in Europe, mostly in her adopted France. She was the first black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.

She was born in St Louis, Missouri, as Freda Josephine McDonald where she had a very rough beginning. She dropped out of school at age 12 and had two failed marriages at ages 13 and 15.  Then she joined a vaudeville troupe that took her to New York City. She later became part of a show, Shuffle Along in the chorus line. This would be one of the first steps to her success. She joined the cast in the chorus.

She used comedy to make herself stand out in the chorus line, and later launch a career that sent her overseas because prejudice limited what she could accomplish in the United States. In Paris she became a success which led to a career that spanned all over Europe.  Some have called her the first Beyonce in that she starred in theater and movies in France and became a standout star.

She did not limit her life to performance, during World War II she became a spy for the French Resistance and later received a medal for her work. In the 1950s became active in the Civil Rights Movement traveling throughout the southern part of the United States. Ever the humanitarian, she also adopted 12 children from around the world and raise them.

https://en.wikipedia.org/wiki/Josephine_Baker

Art of the Month

Josephine Baker

Josephine Baker (3 June 1906 – 12 April 1975) was an American-born French dancer, singer and actress. Her career was centered primarily in Europe, mostly in her adopted France. She was the first black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.

She was born in St Louis, Missouri, as Freda Josephine McDonald where she had a very rough beginning. She dropped out of school at age 12 and had two failed marriages at ages 13 and 15.  Then she joined a vaudeville troupe that took her to New York City. She later became part of a show, Shuffle Along in the chorus line. This would be one of the first steps to her success. She joined the cast in the chorus.

She used comedy to make herself stand out in the chorus line, and later launch a career that sent her overseas because prejudice limited what she could accomplish in the United States. In Paris she became a success which led to a career that spanned all over Europe.  Some have called her the first Beyonce in that she starred in theater and movies in France and became a standout star.

She did not limit her life to performance, during World War II she became a spy for the French Resistance and later received a medal for her work. In the 1950s became active in the Civil Rights Movement traveling throughout the southern part of the United States. Ever the humanitarian, she also adopted 12 children from around the world and raise them. https://en.wikipedia.org/wiki/Josephine_Baker

Art of the Month

Nina Mae McKinney

Nina Mae McKinney (June 12, 1912 – May 3, 1967) was an American actress who worked internationally during the 1930s and in the postwar period in theatre, film and television, after beginning her career on Broadway and in Hollywood. McKinney was born June 12, 1912, in Lancaster, South Carolina, to Georgia Crawford and Hal Napoleon McKinney. Shortly after McKinney’s birth, her mother often hid from her abusive husband in the house of Colonel Leroy Springs (of Springs Industries), for whom she worked as a domestic.

Her first job on stage was in the chorus line of Blackbirds of 1928 which starred Bill Robinson. She then had a role in the King Vidor’s movie, Hallelujah which led her getting a 5-year contract from MGM. She had a few roles with them, but none were leading roles.

She moved to Europe where she worked in nightclubs and theaters, doing an occasional movie. She toured playing nightclubs and worked on some Britishe films. But eventually moved back to the United States in 1939 when Germany invaded Poland.

She played maids and sex workers because those were the roles offered to people of color during that time period. She would get an occasional role that was off that path. In 1949 she landed the role of the jealous girlfriend in Pinky starring Jean Crain, Ethel Barrymore and Ethel Waters.

In 1951, she performed her last role in summer stock. She moved back to New York City in 1960. She died in 1967.