Art of the Month

Nina Mae McKinney (June 12, 1912 – May 3, 1967) was an American actress who worked internationally during the 1930s and in the postwar period in theatre, film and television, after beginning her career on Broadway and in Hollywood. McKinney was born June 12, 1912, in Lancaster, South Carolina, to Georgia Crawford and Hal Napoleon McKinney. Shortly after McKinney’s birth, her mother often hid from her abusive husband in the house of Colonel Leroy Springs (of Springs Industries), for whom she worked as a domestic.

Her first job on stage was in the chorus line of Blackbirds of 1928 which starred Bill Robinson. She then had a role in the King Vidor’s movie, Hallelujah which led her getting a 5-year contract from MGM. She had a few roles with them, but none were leading roles.

She moved to Europe where she worked in nightclubs and theaters, doing an occasional movie. She toured playing nightclubs and worked on some Britishe films. But eventually moved back to the United States in 1939 when Germany invaded Poland.

She played maids and sex workers because those were the roles offered to people of color during that time period. She would get an occasional role that was off that path. In 1949 she landed the role of the jealous girlfriend in Pinky starring Jean Crain, Ethel Barrymore and Ethel Waters.

In 1951, she performed her last role in summer stock. She moved back to New York City in 1960. She died in 1967.

Art of the Month

Nina Mae McKinney (June 12, 1912 – May 3, 1967) was an American actress who worked internationally during the 1930s and in the postwar period in theatre, film and television, after beginning her career on Broadway and in Hollywood. McKinney was born June 12, 1912, in Lancaster, South Carolina, to Georgia Crawford and Hal Napoleon McKinney. Shortly after McKinney’s birth, her mother often hid from her abusive husband in the house of Colonel Leroy Springs (of Springs Industries), for whom she worked as a domestic.

Her first job on stage was in the chorus line of Blackbirds of 1928 which starred Bill Robinson. She then had a role in the King Vidor’s movie, Hallelujah which led her getting a 5-year contract from MGM. She had a few roles with them, but none were leading roles.

She moved to Europe where she worked in nightclubs and theaters, doing an occasional movie. She toured playing nightclubs and worked on some Britishe films. But eventually moved back to the United States in 1939 when Germany invaded Poland.

She played maids and sex workers because those were the roles offered to people of color during that time period. She would get an occasional role that was off that path. In 1949 she landed the role of the jealous girlfriend in Pinky starring Jean Crain, Ethel Barrymore and Ethel Waters.

In 1951, she performed her last role in summer stock. She moved back to New York City in 1960. She died in 1967.

Art of the Month

Nina Mae McKinney (June 12, 1912 – May 3, 1967) was an American actress who worked internationally during the 1930s and in the postwar period in theatre, film and television, after beginning her career on Broadway and in Hollywood. McKinney was born June 12, 1912, in Lancaster, South Carolina, to Georgia Crawford and Hal Napoleon McKinney. Shortly after McKinney’s birth, her mother often hid from her abusive husband in the house of Colonel Leroy Springs (of Springs Industries), for whom she worked as a domestic.

Her first job on stage was in the chorus line of Blackbirds of 1928 which starred Bill Robinson. She then had a role in the King Vidor’s movie, Hallelujah which led her getting a 5-year contract from MGM. She had a few roles with them, but none were leading roles.

She moved to Europe where she worked in nightclubs and theaters, doing an occasional movie. She toured playing nightclubs and worked on some Britishe films. But eventually moved back to the United States in 1939 when Germany invaded Poland.

She played maids and sex workers because those were the roles offered to people of color during that time period. She would get an occasional role that was off that path. In 1949 she landed the role of the jealous girlfriend in Pinky starring Jean Crain, Ethel Barrymore and Ethel Waters.

In 1951, she performed her last role in summer stock. She moved back to New York City in 1960. She died in 1967.

Art of the Month

Nina Mae McKinney (June 12, 1912 – May 3, 1967) was an American actress who worked internationally during the 1930s and in the postwar period in theatre, film and television, after beginning her career on Broadway and in Hollywood. McKinney was born June 12, 1912, in Lancaster, South Carolina, to Georgia Crawford and Hal Napoleon McKinney. Shortly after McKinney’s birth, her mother often hid from her abusive husband in the house of Colonel Leroy Springs (of Springs Industries), for whom she worked as a domestic.

Her first job on stage was in the chorus line of Blackbirds of 1928 which starred Bill Robinson. She then had a role in the King Vidor’s movie, Hallelujah which led her getting a 5-year contract from MGM. She had a few roles with them, but none were leading roles.

She moved to Europe where she worked in nightclubs and theaters, doing an occasional movie. She toured playing nightclubs and worked on some Britishe films. But eventually moved back to the United States in 1939 when Germany invaded Poland.

She played maids and sex workers because those were the roles offered to people of color during that time period. She would get an occasional role that was off that path. In 1949 she landed the role of the jealous girlfriend in Pinky starring Jean Crain, Ethel Barrymore and Ethel Waters.

In 1951, she performed her last role in summer stock. She moved back to New York City in 1960. She died in 1967.

Art of the Month

Zora Neale Hurston was an American writer, anthropologist, folklorist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on Hoodoo and Caribbean Vodou. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, an autobiography, ethnographies, and many essays.

Hurston traveled extensively in the Caribbean and the American South and immersed herself in local cultural practices to conduct her anthropological research.

During a period of financial and medical difficulties, Hurston was forced to enter St. Lucie County Welfare Home, where she had a stroke. She died of hypertensive heart disease on January 28, 1960, and was buried at the Garden of Heavenly Rest in Fort Pierce, Florida. Her remains were in an unmarked grave until 1973.

Art of the Month

Zora Neale Hurston was an American writer, anthropologist, folklorist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on Hoodoo and Caribbean Vodou. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, an autobiography, ethnographies, and many essays.

Hurston traveled extensively in the Caribbean and the American South and immersed herself in local cultural practices to conduct her anthropological research.

During a period of financial and medical difficulties, Hurston was forced to enter St. Lucie County Welfare Home, where she had a stroke. She died of hypertensive heart disease on January 28, 1960, and was buried at the Garden of Heavenly Rest in Fort Pierce, Florida. Her remains were in an unmarked grave until 1973.

Art of the Month

Zora Neale Hurston was an American writer, anthropologist, folklorist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on Hoodoo and Caribbean Vodou. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, an autobiography, ethnographies, and many essays.

Hurston traveled extensively in the Caribbean and the American South and immersed herself in local cultural practices to conduct her anthropological research.

During a period of financial and medical difficulties, Hurston was forced to enter St. Lucie County Welfare Home, where she had a stroke. She died of hypertensive heart disease on January 28, 1960, and was buried at the Garden of Heavenly Rest in Fort Pierce, Florida. Her remains were in an unmarked grave until 1973.

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Art of the Month

Zora Neale Hurston was an American writer, anthropologist, folklorist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on Hoodoo and Caribbean Vodou. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, an autobiography, ethnographies, and many essays. Hurston traveled extensively in the Caribbean and the American South and immersed herself in local cultural practices to conduct her anthropological research.

Art of the Month

Ida Bell Wells-Barnett was an American investigative journalist, educator, and early leader in the civil rights movement. She was one of the founders of the National Association for the Advancement of Colored People (NAACP) Wells dedicated her career to combating prejudice and violence, and advocating for African-American equality—especially that of women.

Wells was born into slavery in Holly Springs, Mississippi on July 26, 1862. At the age of 16, she lost both her parents and her infant brother in the 1878 yellow fever epidemic. She went to work and kept the rest of the family together with the help of her grandmother. Later, moving with some of her siblings to Memphis, Tennessee, Wells found better pay as a teacher.

Wells co-owned and wrote for the Memphis Free Speech and Headlight newspaper, where her reporting covered incidents of racial segregation and inequality. Subjected to continued threats and criminal violence, including when a white mob destroyed her newspaper office and presses, Wells left Memphis for Chicago, Illinois.

Even though she moved, it didn’t stop her from documenting the lynchings of African Americans exposing the brutality and analyzing the sociology.  She was outspoken in the women’s rights and civil rights movement. In 2020, she was posthumously honored with a Pulitzer Prize special citation for her work reporting on violence against African Americans.

A story is reported that Wells went to lunch with Frederick Douglass, in a place she never thought would let her in. Yet, Douglass showed it was possible to eat in a White only restaurant.

In addition to working in educational facilities and women’s clubs, she also worked on the women’s suffrage movement.  She often would challenge the Caucasian women for not speaking out against lynching when they were talking about women’s rights.  She travelled to Europe speaking about lynching and women’s rights. She wrote an expose on the 1893 World’s Columbian Exposition in Chicago because it did not reflect African American life. She wrote investigative reports for the Chicago Defender and helped fight for worker’s rights for African American workers.

She loved her children and her husband, Ferdinand Lee Barnett. She spent a lot of time trying to balance her work life of traveling and speaking with raising her children. She died March 25, 1931.

https://en.wikipedia.org/wiki/Ida_B._Wells