In this adventure thriller, Connections, Sandy and her best friend found missing relatives, spied on cheating spouses and caught a few bail jumpers. This private investigator never imagined the bad guys would chase her. Running for her life, Sandy Herrick discovered that God was the only one with her who wasn’t talking smack, trying to kill her or get into her pants. As she and her friends try to figure out who framed them, they all discover that there was more to each other than they thought they knew. As evil forces closed in on them, they have to determine who they trust and what they believe about each other. Would this be enough to save them?
As a kid I loved cartoons. Anything animated was always acceptable because it was usually outside the norm. I mean the bodies were not perfect. They didn’t speak perfect. There was always room to improve. I seemed to have passed the idea on to the next generation because my daughter loved good animation.
I was raised on Flintstones and Jetsons, but my daughter had a whole new world of things to watch. It was worth it. In this episode we chat about cartoons.
It was a race like we had never seen. But it was worth it. But then we had to go back to an old favorite race. In this episode we discuss some shows where people compete in athletic competitions. I mean, we love sports.
Please stop by our Facebook or Twitter pages to keep up with us. @tvsistas. You can listen to us on Soundcloud, Spotify, Google, Apple, iHeart or several other platforms.
In Episode 3 of Season 2, we come from the historic perspective that there were a limited number of channels. Unlike today where there is an infinity number of channels. We were limited. These are quotes from this episode of the podcast.
In this episode, the Sistas have a guest, Joshua, 11, who shares his views on Blackish. They all talk about how shows like this have impacted the image of the African American Family.
Nina Mae McKinney played a supporting role in the movie Pinky, which was about a light skinned black woman who falls in love with a white doctor, though he is unaware of her race. McKinney played the jealous girlfriend to the light skinned African American woman who was played by a Caucasian actor, Jeanne Crain.
Nina Mae McKinney worked in a industry that chose to use Caucasian people to play African Americans for lead roles to tell stories ABOUT African Americans.
McKinney was born in 1912 in Lancaster, South Carolina. She moved to New York City at the age of 12 to join her parents who moved there to find better work like many others during the Great Migration. She loved performing an had been in plays at school. She debuted in the chorus line of Blackbirds of 1928 which starred Bill Bojangles Robinson. After that she landed a role in the movie Hallelujah by King Vidor, who was nominated for an academy award for directing.
She signed a 5-year contract with MGM after the success of Hallelujah. She did a few films after that, but the studio would not put her in a leading role which was frustrating after her success in the other roles. McKinney was stuck playing supporting roles. Like many actors of her hue, she found that the studio only wanted her in certain roles which were very career limiting. Imagine being called the Black Garbo, but not getting a chance to prove it. In 1935 she made Sanders of the River with Paul Robeson.
She and Robeson were promised the roles of the Africans in the movie would depict them respectfully, the film was later cut to change that. Even though McKinney was a triple threat because she could sing, dance and act, she was only offered roles as maids. She moved to Europe where she worked in nightclubs and theaters, doing an occasional movie. But eventually moved back to the United States in 1939 when Germany invaded Poland.
She played maids and sex workers because those were the roles offered to people of color during that time period. She would get an occasional role that was off that path. In 1949 she landed the role of the jealous girlfriend in Pinky starring Jean Crain, Ethel Barrymore and Ethel Waters.
In 1951, she performed her last role in summer stock. She moved back to New York City in 1960. She died in 1967.
She lived the best life she could and we are the better for it. In 1978 she was awarded a lifetime achievement in the Black Filmmakers Hall of Fame.
Remember Steve McGarrett standing on a balcony looking out over Hawaii like he owned it in the 1970s. Or maybe Robert McCall helping people who could not find help through traditional means? Why would you remake these shows? And what value could you find in such stories?
The Sistas talk about remakes, good or bad? Listen to find out.
Imagine seeing something that you don’t remember. A brown beautiful chocolate man leading a television series that few people ever talk about.
The man is Georg Stanford Brown. The series is The Rookies. It is the trials and adventures of three young police officers. The show is from 1972. (granted I was just 7 years old at that time or this show would not have been on the list of anything I wanted to watch.) But here was an African American actor as a lead in a show.
Needless to say this show became my boyfriend for the weekend.
I thought the show was very cute looking at it from my 2021 brain. I mean attractive. George wore that afro. He looked good in the uniform and his street clothes were nice.
It was fun because of all the actors who guest starred on the show, like Jim Nabors, Tyne Daly, Richard Hatch, Annette O’Toole and John Saxon. And some even looked like me Margaret Avery, Kim Hamilton, Eric Laneuville, Louis Gossett, Jr and Teresa Graves. One of the co stars was Kate Jackson who later became one of Charlie’s Angels.
It reminded me of how simple life was back then. It is not a place I want to return to, but just interesting seeing what innocence looks like on a nation.
The best part of the Decades Channel is that they run weekend binges so that you can really get to know a show. As much as I hate to admit it, I watched more of Decade this weekend than any other channel. (I did cheat on my boyfriend with Hacks). I loved spending time in the 1970s.
Did you grow up with westerns like The Lone Ranger? Did it teach you see the world in black and white? Good guys and bad guys? The Sistas talk about how modern day westerns tell a different story.
UPP Creative Media 